PhD THESIS
|
S.NO
|
TITLE
|
AUTHOR
|
YEAR
|
|
1.
|
MUSICAL INSTRUMENTS DEPICTTED IN THE SCULPTURES
IN SOUTH INDIAN TEMPLES (PHD 2)
|
ALAMELU .M.R
|
1962
|
|
2.
|
SOURCES WHICH PROVIDE MATERIAL FOR THE
CONSTRUCTION OF A DETAILED HISTORY OF INDIAN MUSIC
|
PREMALATHA .V
|
1963
|
|
3.
|
WIND INSTRUMENTS OF INDIA
|
ISAAC .L
|
1964
|
|
4.
|
TANJORE AS A SEAT OF MUSIC DURING THE 17TH
18TH AND 19TH CENTURIES
|
SEETHA .S
|
1968
|
|
5.
|
OPERA IN SOUTH INDIA
|
DURGA .S.A.K
|
1976
|
|
6.
|
THE MUSIC OF MAHARAJA SRI SWATI TIRUNAL
|
PUSHPA .B
|
1981
|
|
7.
|
MYOSRE AS A SEAT OF MUSIC DURING 19TH
AND 20TH CENTURIES
|
VEDAVALLI .M.B
|
1982
|
|
8.
|
TIRUPPUGAZH PADALGALIL CANDA KURUGAL (PHD 28, 29,
30)
|
LOCHAN .B.S
|
1984
|
|
9.
|
KATHAKALAKSHEPA – A STUDY
|
PREMEELA .M
|
1984
|
|
10.
|
A COMPARATIVE STUDY OF HINDUSTANI AND KARNATAKA
RAGA SYSTEMS
|
RATNAMMA .B
|
1987
|
|
11.
|
PATANTRAS IN THE COMPOSITIONS OF MUSICAL TRINITY
|
RITHA .C.K
|
1987
|
|
12.
|
A STUDY OF THE COMPOSITIONS OF PAPANASAM SIVAN
(PHD 38, 39)
|
JAYASEETHALAKSHMI .S.R
|
1988
|
|
13.
|
STUDY OF THE COMPOSITIONS OF KOTISVARA IYER (PHD
41, 42, 43)
|
PREMA SUKUMAR
|
1989
|
|
14.
|
TIRUJNANASAMBANDARIN TEVARA ISAI (PHD 45)
|
SARASVATI .K
|
1990
|
|
15.
|
TYAGARAJA’S NAUKA CARITRAMU – A STUDY
|
BHAGAVATI .Y
|
1991
|
|
16.
|
A STUDY ON THAYAS AND CITTATANAS (PHD 48)
|
SARASWATHI .E.B
|
1991
|
|
17.
|
A SPECIFIC METHODOLOGY FOR DOCTORAL RESEARCH IN
KARNATIK MUSIC
|
LALITHA RAMAKRISHNA
|
1996
|
|
18.
|
VIPULANANDA ADIGALIN YAZ NUL – ORU AAYIVU
|
MARGARET BASTIN
|
1999
|
|
19.
|
CONTRIBUTION OF ODUVARS TO TAMIL MUSIC (PHD 54,
55)
|
SRIDEVI .P
|
2000
|
|
20.
|
FOLK SONGS OF KONGUNADU WITH SPECIAL REFERENCE TO
KUMMI SONGS (PHD 57)
|
SANTAKUMARI .R.S
|
2001
|
|
21.
|
CARNATIC MUSIC CONCERTS – AN ANALYTICAL STUDY
(PHD 59)
|
RADHA BASKAR
|
2002
|
|
22.
|
A COMPARATIVE STUDY OF THE VIOLIN TECHNIQUES IN
WESTERN AND SOUTH INDIAN CLASSICAL MUSIC
|
LALITHA .M
|
2001
|
|
23.
|
A STUDY OF MANUSCRIPTS ON MUSIC AND A CRITICAL
EDITION AND TRANSLATION OF THE UNPUBLISHED WORKS OF SOMANARYA
|
PREMALATHA .V
|
2002
|
|
24.
|
A STUDY OF THE COMPOSITIONS OF SYAMA SASTRI, HIS
DISCIPLES AND DESCENDANTS (PHD 65)
|
SARADAMBAL .Y
|
2002
|
|
25.
|
A STUDY OF RAGANGA RAGAS IN THE SANGITA
SAMPRADAYA PRADARSHINI OF SUBBARAMA DIKSHITAR (PHD 67)
|
HEMALATHA .R
|
2002
|
|
26.
|
MUTTUTANDAVAR PADALGAL
|
SUBBULAKSHMI .S
|
2002
|
|
27.
|
SUBBARAMA DIKSHITARIN SANGITA SAMPRADAYA
PRADARSHINIYIL VILAKKAPATTULLA GAMAKANGAL
|
JAYALAKSHMI .R.S
|
2002
|
|
28.
|
KARNATIK MUSIC AND CHRISTIANITY – A CRITICAL
STUDY OF THE INFLUENCE OF KARNATIK MUSIC ON THE CHRISTIAN MUSIC OF TAMILNADU
AND KERALA (PHD 71)
|
PAUL .P.P
|
2003
|
|
29.
|
BACKGROUND MUSIC IN TAMIL FILMS
|
RAMAN UNNI .A
|
2004
|
|
30.
|
DANCE PERFORMANCE AND ITS COMPONENTS HISTORICAL
STUDY
|
PRIYASRI .V RAO
|
2004
|
|
31.
|
CONTRIBUTION OF PROF. P. SAMBAMURTHI TO MUSIC
THEORY
|
BHAGEERATHI .M.A
|
2004
|
|
32.
|
MUSIC AND BRAIN FUNCTION – INTERDISCIPLINARY
STUDY WITH SPECIAL REFERENCE TO RHYTHM AND TAVIL PRAXIS IN ISAI VELLALAR
COMMUNITY
|
SUBBULAKSHMI .R
|
2004
|
|
33.
|
NANDANAR CARITRA KIRTANAIGAL – PADIPPUGAL
|
BALASUBRAMANIAN .B
|
2005
|
|
34.
|
PITCH ANALYSIS IN KARNATIK MUSIC – AN EXAMINATION
OF INTONATION AND MODERN THEORIES OF 22 SRUTIS
|
MADHUMOHAN .K
|
2005
|
|
35.
|
AESTHETIC EXPERIENCE IN MUSIC AND LITERATURE – A
COMPARATIVE STUDY
|
ALAMELU RAMAKRISHNAN
|
2005
|
|
36.
|
NAGASVARA ISAI MARABUM PALVERU BAANIGALUM
|
RAJENDRAN .R
|
2005
|
|
37.
|
A STUDY OF ANYA SVARAS IN BASHANGA RAGAS
|
USHA PRASAD
|
2005
|
|
38.
|
STYLISTIC ANALYSIS OF THE COMPOSITIONS OF
KALLIDAIKURUCHI VEDANTA BHAGAVATAR
|
GAYATHRI SANKARAN
|
2007
|
|
39.
|
EFFECTS OF MUSIC ON CANCER RELATED PAINS AND ITS
FUNCTIONAL SYMPTOMS
|
SUMATHI
|
2007
|
|
40.
|
RAGAS OF THE 15TH MELA IN SANGITA
SAMPRADAYA PRADARSHINI
|
ABIRAMASUNDARI .R
|
2008
|
|
41.
|
TALAPPAKKA ANNAMACARIYARIN ISAI TONDU
|
MEENALOCHANI .T.V
|
2009
|
Absolutely very good contribution for music
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